I am an interdisciplinary artist working at the intersection of science and art. I work with microorganisms, biomaterials, and sound to create reverential installations and artworks that explore terrestrial consumption, pain, and death. I examine the necropolitics and exceptionalist ideologies that have resulted in widespread ecological destruction, often disguised in contemporary society through the metaphor of “green” and referenced in my work as such. I investigate mines and other anthro-geological constructions as they are the principle sites of our extraction and mutilation. Each resembles a terrestrial wound; the remnants of colonial violence against both human and other-than-human organisms. Through my work, I expose the deeply extractivist relationship that humanity has developed with the natural world and the performativity of societal greening as a response to our molestation of the environment and the impending climate crisis.